Opera Magazine (August 2021) · Victoria Stapells
The cast on June 4 was admirable. (…) Emilio has imaginary conversations of conscience with his wife Cruz, sung by the soprano Maria Miró, in transcendent voice.
Toute la culture (09.06.21) · Paul Fourier
Starting with the Cruz of María Miró, mater dolorosa, strong in appearance, even harsh, but who carries within her the suffering of the abandoned, while being the one who must, moreover, watch over her son. The powerful voice with full-bodied timbre perfectly embraces the whole range of feelings, while the actress is impressively accurate.
Operaworld (03.06.21) · Federico Figueroa
The soprano María Miró (Cruz) is able to show her wide and beautiful instrument by embodying a character who has a greater journey thanks to the appearance of a son, (…), with whom she may manifest a tenderness which she lacks in the above scenes.
Platea Magazine (01.06.21) · Enrique Bert
María Miró, unpolluted in black in her eternal widowhood, has to endow her character with pain and dignity and it seemed to me the most appropriate voice of the night: strong, without fuss, endowing the role with the necessary dignity. Very well.
Codalario (01-06.21) · Raúl Chamorro
María Miró supported by her creamy and attractive sopranil timbre – the highest quality voice of the five singers (…) – composed a suffering Cross, which is torn between suffering, jealousy and reproaches towards a husband, who still loves, but he has abandoned her and her family and begins another relationship with a younger woman.
Scherzo (31.05.21) · Santiago Martín Bermúdez
María Miró shows the highest dramatic side of the action with excellent vocal resources and a very measured histrionic dimension.
Ópera Actual (31.05.21) · José María Marco
In a functional staging, in black and white, but very effective and with an excellent set of actors -directed by Eduardo Vasco – the five singers fulfilled their mission. (…) The soprano María Miró, who was able to show off timbral beauty, width of register and expressiveness like Cruz, the Spanish wife.
El Mundo (30.05.21) · Santiago Martín Bermúdez
(…) The singers make a remarkable effort that is largely divided between Isaac Galán and María Miró.
El País (30.05.21) · Jorge Fernández Guerra
(…) As for the soprano María Miró, in the role of Cruz, she creates a splendid vocal figure from a backpack of pain and endurance.
Periodista digital (30.05.21) · José Catalán Deus
The cast is homogeneous and convincing in its two facets, vocal and acting, and in both we believe that the Cruz of María Miró stands out.