Opera Actual (11.04.25) · Jonathan Mallada
“Ana Ozores was masterfully portrayed by María Miró, who was very secure vocally, showcasing sharp high notes and a polished timbre full of expressive nuances.”
Opera World (11.04.25) · Pablo Álvarez Siana
“The soprano María Miró portrayed this full, empowered Regenta in an evolution of her character throughout the performance: prude with the devout women, sorrowful in the procession, restrained with El Magistral, passionate with Mesía, and even consumed by remorse (and confinement), with that so conclusive and anguished phrase of ‘I am so alone, so stiff.’ Her singing was always careful, intimate, and powerful, with a beautiful and uniform vocal timbre, without fissures in the few coloraturas that MM (as Amelia Valcárcel calls the composer) writes for the protagonist, especially in the last act of her third opera.”
Scherzo (12.04.25) · Miriam Perandones
“Among the cast, soprano María Miró stood out in the role of the Regenta, with a powerful voice, a beautiful and uniform timbre in the predominantly expressive recitative melodies of the score, and a great acting performance.”
La Nueva España (12.04.25) · Ramón Sobrino
“The soprano Maria Miró, omnipresent on stage, has been magnificent as a singer and actress in the demanding role of La Regenta.”
Platea Magazine (14.04.25) · Enrique Bert
“María Miró managed to portray a Regenta of one piece again, perhaps more submissive than rebellious, showcasing a remarkable voice and an absolute dramatic credibility.”
