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REVIEWS ARIADNE ET BARBE-BLEUE AT TEATRO REAL OF MADRID

Mundo Clásico (20.02.26) · Germán García Tomás

“Regarding the wonderful contributions of the five wives, the Catalan soprano María Miró showcases as Mélisande brushstrokes of great finesse and brilliance during the collective scene of the second act.”

https://www.mundoclasico.com/articulo/45942/sumisas-de-hoy

Brioclásica (02.26) ·  Paloma Sanz

“the beautiful timbre and powerful middle voice of Maria Miró”

https://brioclasica.es/critica/26196/

Codalario (13.02.26) · Raúl Chamorro

“to highlight the beautiful and full-bodied voice of María Miró, from Barcelona.”

https://www.codalario.com/ariadna-y-barbazul/criticas/critica-ariadna-y-barbazul-en-el-teatro-real-de-madrid_14583_5_48520_0_1_in.html

Connessi all’Opera (11.02.26) · Jorge Binaghi 

“Maria Miro’s Mélisande is equally outstanding.”

https://www.connessiallopera.it/recensioni/2026/madrid-teatro-real-ariane-et-barbe-bleue/

Seen and Heard International (18.02.26) · José M. Irurzun

“Bluebeard’s wives were well covered vocally and moved appropriately on the stage. Aude Extremo was a remarkable Sélysette, and María Miró as Mélisande was also good.”

https://seenandheard-international.com/2026/02/brilliant-conducting-by-pinchas-steinberg-in-a-paul-dukas-opera-at-teatro-real/

Première Loge (16.02.26) · Stéphane Lelièvre

“Among Bluebeard’s wives, all very assertive vocally, Maria Miró (Mélisande) and Aude Extrémo (Sélysette) stand out in particular”

https://www.premiereloge-opera.com/article/compte-rendu/production/2026/02/16/ariane-barbe-bleue-madrid-critique-gianluca-buratto-paula-murrihy-aude-extremo-pinchas-steinberg-alex-olle/

Classique News (28.01.26) · Sabine Teulon-Lardic

“The listener appreciates the vehement soprano of Maria Miró (Mélisande)”

https://www.classiquenews.com/critique-opera-madrid-teatro-real-le-26-janvier-2026-dukas-ariane-et-barbe-bleue-p-murrihy-s-tro-santafe-a-extremo-g-buratto-alex-olle-la-fura-dels-baus-pinchas-steinbe/

L’Ape Musicale (15.02.26) · Luigi Raso

“The quintet of Bluebeard’s wives is very well assorted, (…) Jaquelina Livieri, Ygraine, María Miró, Mélisande, and Renée Rapier, Bellangére, stand out for their perfect integration into the performance and their musical precision.”

https://www.apemusicale.it/joomla/it/recensioni/87-opera/opera-2026/17168-madrid-ariane-et-barbe-bleue-11-02-2026

Pro Ópera (08.02.26) · Daniel Lara

“The performances of the sopranos Jaquelina Livieri (Ygraine) and María Miro (Mélisande) were also very effective.”

https://proopera.org.mx/ariane-et-barbe-bleue-en-madrid/

Platea Magazine (01.02.26) · Enrique Bert

“Very efficient Jaquelina Livieri (Ygraine), María Miró (Melisande) and Renée Rapier (Bellangére).”

https://www.plateamagazine.com/criticas/19591-el-teatro-real-presenta-ariane-et-barbe-bleue-de-dukas-con-escena-de-alex-olle-y-con-pinchas-steinberg-a-la-batuta