ABC (19.06.25) · Carlos Tarín
“On the other hand, not even that micron can be asked of María Miró’s impressive Micaela: a lyric soprano with a silky, caressing, warm timbre, extraordinarily clear in her diction and intentions, she signed an exceptional duet with Don José, in which Del Cerro was also involved, to culminate with her only aria, ‘Je dis que rien ne m’épouvante”, of intense melodicism, which she sang in an exciting way, full of passion, especially when in its central part she firmly affirms that she will not be afraid of Carmen.”
Platea Magazine (19.06.25) · Javier del Olivo
“The singer who received the biggest applause from the audience, both at the end of the performance and after her famous aria ‘Je dis que rien ne m’épouvante’, beautifully delivered in an extraordinary way, was soprano Maria Miró as Micaela. This moment, along with the tenor’s aria, were the best of the night. In the case of Miró, we must highlight her beautiful and ringing tone and powerful voice, the biggest of the entire main cast.”
PLATEA MAGAZINE_Crítica 19.06.25
Scherzo (24.06.25) · Andrés Moreno Mengíbar
“María Miró was the sweet and innocent Micaela of the libretto, with an angelic, coloured voice and delicate singing.”
