Scherzo (13.07.2026) · Josep Subirà
The Barcelona-born soprano Maria Miró made a triumphant return to the Liceu thanks to her portrayal of a full-bodied, agile Nanetta, capable of effortlessly sustaining the tenuto notes in her love duets with her beloved Fenton, or as the Queen of the Fairies in “Ninfe! Elfi! Silfi!” and the subsequent “Sul fil d’un soffio etesio”, showcasing the luminous upper-mid-range of a young woman in love that flowed with natural ease.
Opera Actual (21.07.2026) · Ferran Vila i Riera
The young couple in love were superbly cast and delightfully portrayed, led by the impeccable Nannetta, played by the Catalan Maria Miró – ethereal and precise in the high notes (…)
Lohengrin Magazine (17.07.2026) · Dr. Eloi de Tera
Maria Miró, performing the role in the second cast, proved a delightful surprise. Her interpretation displayed extraordinary refinement, a crystalline timbre and complete identification with the character, crowned by an exquisite fiato.
Seen and Heard International (21.07.2026) · José M. Irurzun
Soprano María Miró gave a fine performance as Nannetta, with an attractive and well-controlled voice.
Diari Ara (13.07.2026) · Jaume Radigales
Another Catalan, the soprano Maria Miró, portrayed a spontaneous and radiant Nannetta, delivering a magnificent performance in the third act as the Queen of the Fairies.
La Vanguardia (13.07.2026) · Jordi Maddaleno
The warmth of the Colombian tenor César Cortés as Fenton stood out in front of the sweet, mellifluous tones of María Miró as Nanneta.
Platea Magazine (13.07.2026) · Joan Sebastià Colomer
Maria Miró as Nannetta sang consistently well throughout with a rich, resonant voice.
El punt Avui (20.07.2026) · Oriol Pérez Treviño
Maria Miró impressed us with the quality of her singing, with a solid, rich and resonant vocal line (…).
